The Culture Enthusiast

Certain essential facts in the story are not simply small, unimportant, historical mistakes. For example, children were not taken to concentration camps to work alongside adults. Another movie that deals with the Holocaust, Life is beautiful, has a child in a camp, but he was hiding from the Nazis all the time and not working there. 

It even crossed my mind that Shmuel might not be real, that he was Bruno’s imaginary friend. If this was the case, I think the story would have been much more interesting.

Here's something else that bothered me: Bruno was gone for hours every day and nobody noticed. There was an armed guard with a dog in the front entrance, but there wasn't so much as a lock in the back door that led to the camp. And the most appalling of all: if an 8 year-old managed to crawl under the fence in minutes, how come nobody else in the camp did it?

All this may seem irrelevant and maybe I’m being picky. But some of these mistakes, like saying even children could escape the camp, are actually insulting. These mistakes also create two problems.

For one, they make the story seem too implausible in itself. The way the movie portrays the camps makes it difficult to believe that a prisoner would manage to talk to an outsider for several days or that a child would  manage to enter the camp at will.

Secondly, the movie is about WWII. All these details create confusion about the real events that occurred. The prisoners didn't escape because the fences were electrified in real camps, which isn't shown in the movie.


To make matters worse, the movie and the book in which it was based are aimed at teenagers. Young readers don't have enough historical background to spot these inconsistencies and might take everything in the movie as real.

But don't take it from me, because I'm no expert in WWII. A Rabbi wrote a review of this movie and he says he lent the book to one of his friends who is an Auschwitz survivor. According to the Rabbi, his friend "wept, and begged me tell everyone that this book is not just a lie and not just a fairytale, but a profanation."

Remember the other day we were talking about The Producers? Many people consider this comedy to be insulting, because the Holocaust is not a subject that should be dealt lightly. I understand this but I believe movies like The Boy in the Stripped Pajamas are the ones that deal with the Holocaust lightly.

The initial concept of the movie is indeed very original and promising: to tell the story of the Holocaust as seen through the naive eyes of an 8 year-old boy. But the movie's merits stop there.

Is "The Boy in the Stripped Pajamas" still good, despite its inconsistencies? 

UPDATE: While I was checking some college information for my sister, I found an article in an educational website talking about movies that can help students learn. One of the movies was The Boy in the Stripped Pajamas and the article says that this movie "helps discuss the concept of eugenics and exemplifies Nazi concentration camps." (Source in Portuguese)

Now, of course there’s nothing new to create. But that shouldn’t be an excuse for lame art, should it?

Take Batman Forever for example.

I never noticed this before but there’s a scene in Batman Forever which is incredibly similar to one in The Dark Knight. The general outline of both scenes is this: the villain wants to destroy Batman by playing with his real identity. The villain takes the woman Bruce Wayne loves and the man Batman depends on and puts them in mortal danger. One of them will die, it's up to Batman (or Bruce Wayne) to decide who to save.

Now, look at the different results achieved but Joel Schumacher and Christopher Nolan.

Click on the image to view to scene or click here. You'll go to Youtube, but I'll be here waiting ;)

The Riddler wears a shiny body suit and acts as if he’s a game show host, offering some comic relief to a tense moment. The scene is also made lighter by the fact that Batman doesn't lose his temper and doesn't threat the villains physically, he actually defeats the Riddler in his own game: with a riddle.

Plus, I love the little joke about Jim Carrey when The Riddler says “Was that over the top? I can never tell.” 

The Joker's scene, on the other hand, is much more serious and realistic. The setting is a police station and the witnesses are detectives and not other weird villains. The Joker doesn't use surreal traps like those cylindrical cages, he pragmatically puts the victims on "250 52nd street and Avenue X at Cicero".

The scene is much more tense: not only Batman gets really angry and violent but that doesn't seem to have any effect on the Joker, who says his strength won't get him anywhere. What can he do, then?

But there's an interesting similarity. In both cases it is said that Batman is a "freak". 

We could debate over which scene is better but I would say both of them are incredibly successful in the sense they achieved what they set out to do. Moreover, these are my two favorite Batman movies and I could never choose between them.

The thing is: the story is more or less the same but the results are different. The solutions didn't involve a parody or ironic references.

Movies like these tell me that it is still possible to be creative without necessarily being original. The throwing of the towel that is “there are no more stories to tell” might be just an excuse for bad movies. The scope of human experience may be limited but our ability to explore it is not.

How important is originality? Are both scenes are well made or is Batman Forever over the top?

Image via Tumblr